Homo dating sim
“I know so many people who play those games not because they’re interested in the combat but because they want the romance and the relationships,” she says.“Younger women, women who are queer like me, and younger people in general are interested in more complex narrative experience from a videogame.”Nor does putting queer characters and experiences center stage mean that a general audience can’t embrace them as well.Gray notes that while queer people—along with women and people of color—have long been expected to sympathize with straight, white cis characters, the mainstream games industry remains reluctant to ask the reverse.And yet, this presumed lack of empathy or imagination hasn’t stopped lots of people outside the LGBT community from playing and helping make it a hit.“This is a very queer game, but it has legs longer than what a lot of people might have considered niche,” Gray says.“The most moving [feedback] comes from people who are trans or nonbinary people feeling really included in this experience,” Gray says.
She points to game franchises like , both of which have amassed huge followings in part because of the in-depth (and gender-inclusive) romances they offer in between their battles.
“Dads are such a universal, emotional thing for people, whether you have a good or bad relationship with your father, or no father in your life,” Gray says.
“I think we all have really complex emotions toward [them].”She also thinks there’s a particular appeal for millennials who are accustomed to dating less … “A daddy isn’t going to forget their wallet,” Gray says.
“You’re not going to be sleeping on a mattress surrounded by empty bottles of Mountain Dew. A daddy who has their life together enough to take care of another person is probably more emotionally mature than a twentysomething dude might be.”If ’s hit status suggests any one thing, though, it's that entrenched ideas about what kind of games can be successful and who wants to play them have less to do with reality and more to do with the self-fulfilling prophecy that the industry has become.
“The argument ‘oh, I don’t know if it’s going to sell’ isn’t going to fly anymore," Gray says.
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"We can have narratives that are about queer people that are not necessarily about being queer.